The only real difference here is weight, as the steerer itself provides no additional flex. Higher spec models will also have a carbon steerer, while lower tier models will have a metal one. Fork blades flex more than the frame, and the fatigue life of aluminium isn't sufficient to allow safe alloy forks without them being utterly unforgiving.Ĭarbon forks allow flex, and also save a few grams in the process. Are all carbon forks the same?Īll alloy road bikes will come with a carbon fork. Think of these as a choose your own adventure option. If you're unsure then there are plenty of options which don't categorise themselves as one or the other, and fill a more 'general purpose' niche. For longer days in the saddle then you might be better off with an endurance-focussed option, where a more upright position and more relaxed handling combined with wider tyres will allow you to pedal on for hours and hours in comfort. If you're planning on racing then go for something race-focussed longer, lower, and with steeper angles. As such the same decisions that you'd make when choosing one of the best carbon road bikes, or best steel road bikes, apply here. How to choose an aluminium road bike What sort of bike to I need?Īlloy road bikes are a microcosm of bikes in general, as almost every genre of bike has at least one model made of aluminium. Labelled as a marathon bike, the Rose Pro SL disc offers steep angles and a relatively compact rear end for precise steering, while a few mm of stack are added in the front to relieve the pressure on your lower back and neck.įor the money, you get a full Shimano Ultegra drivetrain, DT Swiss P1800 Spline wheels and Ritchey finishing kit. The brake-bridge-free lowered seat stays afford the tubing oodles of vertical flex, while the carbon fork at the front does well to eat up vibration coming through the bars. The frame itself is made from 7005 T6 alloy, and features triple-butted, hydroformed tubing throughout. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.Another consumer-direct brand, Rose, offers serious value for money with the Pro SL Disc. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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